
Jessie Murph announced the second leg of her In the Sticks headline tour in August 2024, linking a fall run to her debut album That Ain't No Man That's the Devil. The announced 20-date North American itinerary began in Tucson on October 17 and ended with a hometown headline appearance in Huntsville on November 23. This is an archive of that 2024 campaign, not a notice of newly available tickets.
The timing put a new album at the center of the touring story. Purdue Convocations' announcement described the record as a 12-track release due September 6 through Columbia Records, with collaborations involving Jelly Roll, Koe Wetzel and Teddy Swims. The same release highlighted I Hope It Hurts, scheduled for August 23. Those details establish what the tour was supporting without turning the album's guest list into a list of promised guests at every concert.
The Purdue date provides a clear example of the event's scale and presentation. Elliott Hall of Music was listed for November 1 at 8 p.m., with Live Nation and Purdue Convocations presenting the show and support from the Purdue Student Concert Committee. Elsewhere, the announced route moved through markets including Las Vegas, New Jersey and Georgia before the Huntsville finale. Each venue had its own event listing; a tour-wide announcement did not make every show's seating, entry or access arrangements identical.

In the Sticks Part II also carried a Poshmark x Future Is Female presenting partnership. That branding was part of the 2024 announcement, not a general statement about all of Murph's later performances. Keeping the campaign's title and year together helps avoid folding a different album cycle or a later tour into this one. The singer's changing catalogue is not a reason to overwrite the historical identity of the run.
What remains useful is the connection between the album and the live project: a singer moving into a debut full-length release while building a second headline leg around it. The official I Hope It Hurts visualizer offers a matching piece of that release period, but it is not a document of any one tour stop. As our guide to [reading a venue calendar](/ninefolds-indie-music-desk-reads-the-crescent-ballroom-phoenix-live-calendar) explains, the announced route and an account of an individual performance answer different questions.
- Jessie Murph
- In the Sticks
- tour archive
Responses
No responses yet.


